VIDEO
Sunday, December 9, 2012
Winter's Bone Comparison
A Novel
Idea
The novel Winter's
Bone by Daniel Woodrell follows a young heroine named Ree Dolly who
is confronted with the arduous task of saving her family's home. Her
father, a methamphetamine cook, has gone missing while out on bail.
The bond company is threatening to seize the home if her father
cannot be located. Add to this struggle her role as caretaker for a
sick mother and two younger siblings and Ree has her hands full. The
film of the same name, while telling Ree's story adequately, falls
short of conveying the deepness of emotion, important character roles
as well as cultural convictions that the author intended.
Films are, by their
own limitations, operating within strict parameters. Time constrains
their length and budgets constrain the depictions of even the season
in which it is set. The season Woodrell chose for the story is
integral to any worthy interpretation. In this, the film is found
lacking. Winter is depicted, but not with the severity that the story
deserves. The movie shows cold but not with the added
voices of drifts,
flakes or ice. I realize that this can be costly for any worthwhile
production. The choice to forgo this primary theme of the novel has
left the viewer disadvantaged. Woodrell, even from the first
sentence, alluded to the effect on Ree which the coming of the season
held. “Ree Dolly stood at break of day on her cold front steps and
smelled coming flurries and saw meat.” (Woodrell 3) This vivid
description contained within the text of the first paragraph gives
the reader a sense of impending struggle against the elements which
are sure to come. The deadline of the forfeited bond looms but the
coming harsh season looms as well. By choosing to not include the
physical depiction of winter's attributes, the filmmakers missed
their mark in translating the story effectively.
Many films have
successfully integrated homosexual themes as a method to provoke
societal discussion. Winter's Bone is no exception. It is a subtle
element, but an element nonetheless. In it's written form,
unadulterated by the screenwriters, the author describes a
“pseudo-lesbian” relationship between Ree and her best friend
Gail. It was important enough for Mr. Woodrell to include yet somehow
lost in the film adaptation. The hinting of youthful experimentation
between Gail and Ree contained within the book is not what I mean. It
is the way in which these characters interact that is relevant. Ree,
who is resistant to the world around her, confides in Gail and no one
else. Although the women in Ree's family offer a sympathetic tone,
they are controlled by masculine fear and offer no solace in any
substantial way. The role of Gail in the novel provides a refuge for
Ree which is lost to the movie's audience. The choice by the
filmmakers to forgo this important relationship between two of the
major characters is a disservice to the audience as well as the
author.
The film failed to
depict the true patriarchal role which Ree has assumed in her family
to the extent which Woodrell intended. Her father's absence has left
a void that Ree has chosen to fill. This is the role of moral
compass, instructor and mentor to her young siblings. Being familiar
with Ozark culture himself, Woodrell included allusions to corporal
punishment which exist in this micro-society as a method of
establishing the importance of lessons being taught. The movie opens
with the scene where her younger brother Harold proposes asking Ree
if they should enlist the help of a family member who lives across
the street. The family is hungry and left without the means to feed
themselves. Ree seizes this opportunity in order to teach an
important life lesson to the child. “She then looked at Harold,
with his easy smile, black hair riffling in the wind, then snatched
his nearest ear and twisted until his jaw fell loose and he raised
his hand to swat at hers. She twisted until he bore up under the pain
and stopped swatting. “Never. Never ask for what ought to be
offered.” (Woodrell 5) The filmmakers chose to use the dialogue
without including the ear twisting. This illustration of corporal
enforcement within Ozark culture is necessary if the audience is to
gain a true understanding of the ways in which this culture instructs
it's youth. I myself have firsthand experience with this and can
speak to the effectiveness of such methods. Growing up I attended
church services with my Uncle Russ who hails from Missouri. One
Sunday while seated in the pew, I chose to pass a note instead of
giving proper attention to the speaker. My Uncle did not hesitate to
pinch the top of my thigh, squeeze, and twist mercilessly until tears
welled up in my eyes. I doubt if I would be remembering that lesson
today if not for the infliction of physical pain which had
accompanied it. I am at a loss as to the reason this important
societal element was not included in the film. The screen time would
have been exactly the same, the graphic nature in the film is
established in a much more severe way later on. By choosing to leave
out his important cultural belief, the film has done the author,
Ozark culture, and ultimately the audience a great disservice.
Filmmakers have a
responsibility to translate the work of authors effectively,
realistically, and with the intention of imparting the full
implications of setting, roles, and culture contained within the
text. Somehow this was lost in the process of bringing this wonderful
story to the screen. Although telling the story adequately, the film
falls short of conveying the deepness of emotion, important character
roles as well as many cultural convictions that the author intended.
Works
Cited
Woodrell, Daniel.
Winter's Bone. 1st ed. New York: Little Brown and, 2006.
Print.
To Live and Learn
wikimedia commons
“Any fool can know. The point is to understand.”
― Albert Einstein
― Albert Einstein
The skills I have learned in this
class are many so I will touch briefly on the ones I have found most
helpful. It's amazing how I was able to implement these techniques
into other coursework as soon as they were learned. Close reading of
text was something we learned early on in this semester and I found
to be very useful. Just the act of underlining any words that I found
interesting or looking for themes that are re-occurring within the
text is a very useful skill. I used to be afraid to mark up a book
and refrained from this practice. Now I find that this practice has
me looking for elements within the text much more closely. It's like
a scavenger hunt! I find that I am erasing from all of my textbooks
at this point in the year in order to turn them back in. But that's a
good thing. It means that I am using this skill that I have learned
in this class. I really enjoyed the reading of “Bartleby the
Scrivener” the most. The style of Melville is unique and I have
since took to finally reading “Moby Dick” after all of these
years. I was surprised by “A Modest Proposal” having no fondness
for it initially but having that change after looking for the
underlying message contained within. I have met the learning outcomes
by effectively synthesizing information into well focused essays. By
relying on good essay structure and method I was able to construct
papers of which I am very proud. By sticking to the formula of
pre-writing, outlining, developing focused thesis statements and
topic sentences for each supporting paragraph I was able to hone the
craft of communicating effectively through writing. I have seen the
benefit in real time in my papers constructed in other classes. One
of the challenges I have met and overcome in this class I have
mentioned previously. This has to do with reading and analyzing text
that I did not believe I would enjoy such as Swift. I find that I
have a different taste of subject matter and was resistant to this
work at the outset. However, when I looked for elements hidden within
such as character roles and the like I found the text I was adverse
to open up before me and come alive in a new and profound way. Great
class Ms. Cline! Thank you.
Would you like to read more quotes on learning?
Friday, November 30, 2012
Learning is Learning (or is it?)
Wikimedia Commons
Many years ago I read a short story by the science fiction write Ray Bradbury. I have not, to this very day, been able to find the work. Nonetheless this piece stuck in my mind as a profound analysis of the disconnect between people as a result of technology. It described a lamenting man who while strolling through a residential area noticed that there were no people outside their homes. There were no children playing, there were no neighbors conversing over the common fences, there were no gatherings of women in the empty streets. This man could only see a faint blue light flickering from the front window of each home. As I ponder the online learning environment, I can't help but feel as the character walking the ghostly street. I feel as though the interactions between students are superficial at best. We all stare at the pale blue light of our computers which claim to assist us in being better connected. But are we? We as humans need the interaction of our peers to complete a well-rounded learning environment. They provide sources for peer review and feedback which are vital to catching things we often miss being too close to our own work. They are at arms length to be questioned or aid us in real time if need be. Here in lies my dilemma. I hold these beliefs on one hand while simultaneously proving the opposite. Let me explain. You see I have received the best grades of all of the classes I have taken in the online environment. This is adverse to what I truly believe and yet the results speak for themselves. While technology advances we as students must embrace it or suffer a disadvantage in future endeavors. I had a difficult time this semester getting in the habit of creating a well developed blog post. I had no experience with this technology. Honestly, I had no idea exactly what a blog was. Looking back this seems silly and after the initial post was finished I felt quite accomplished. With each subsequent posting the sting was less and I found (to my surprise) that I was beginning to enjoy the process. So in closing I must say that there are pros and cons to everything and this is no exception. I look forward to the next technological advance that might in some way re-establish the significant role of interpersonal communication in the online learning environment. In the mean time I will also lament the pale blue glow.
If you would like to learn more about learning online:
http://en.wikipedia.org/wiki/E-learning
Sunday, November 18, 2012
Revision Decision
picture courtesy of wikimedia commons
Happy Thanksgiving!
Daniel
If you would like to learn more tips on revision follow the following link:
http://writingcenter.unc.edu/handouts/revising-drafts/
Sunday, November 4, 2012
How Cohesive a Thesis!
photo courtesy of sptimes.com
If you or someone you love is struggling with meth addiction and wants help clink on the link below for more information:
http://www.stopmethaddiction.com/Meth_Addiction_Help.htm
Sunday, October 28, 2012
Cooking Meth in Hell's Kitchen
http://upload.wikimedia.org/wikipedia/commons/2/2d/Crystal_Meth.jpg
This
article directly relates to “Winter's Bone” as the characters in
the novel were effected by the drugs use and distribution adversely
just as the examples described by Sheriff Bart. One user described
performing “home dentistry” while under the effects of this
powerful chemical. Another drives around aimlessly while chewing her
fingernails to nubs attempting to fill a shopping list of dangerous
ingredients used in it's manufacture. Just as the fictitious account
of child abandonment in the story, the article uses true evidences
brought forth from social workers on the front lines. This article
would be an excellent source for use in essay #3 as it has the
credibility of both law enforcement as well as social workers who are
directly impacted each and every day by this scourge.
If
you would like to read the article in it's entirety:
http://www.nytimes.com/2002/02/06/us/meth-building-its-hell-s-kitchen-in-rural-america.html?pagewanted=2&src=pm
Egan, Timothy. "Meth Building Its Hell's Kitchen in Rural America." The New York Times. The New York Times, 06 Feb. 2002. Web. 28 Oct. 2012. <http://www.nytimes.com/2002/02/06/us/meth-building-its-hell-s-kitchen-in-rural-america.html?pagewanted=2>.
works cited
Egan, Timothy. "Meth Building Its Hell's Kitchen in Rural America." The New York Times. The New York Times, 06 Feb. 2002. Web. 28 Oct. 2012. <http://www.nytimes.com/2002/02/06/us/meth-building-its-hell-s-kitchen-in-rural-america.html?pagewanted=2>.
Thursday, October 11, 2012
Midterm Reflections
Ms. Cline,
I feel at this point in the term I am feeling very
accomplished and fulfilled having met the challenges of a very demanding course
schedule. I have, for the most part, met the challenges and received
complementary marks for the effort. I don’t for the life of me know why I “bury”
myself by choosing such a workload and then wondering why I get burned out. I
have high expectations for what I believe I can accomplish and often deny that
one might possibly get behind. Things happen, such is life and yet there is
grace. One thing I can say is that I am very grateful for the “no questions
asked” option for one assignment. You see there was one week early on where I
found myself homeless and missed a full week’s coursework in all four of my
classes. None gave grace but you Ms. Cline. None gave grace.
Now on to my reflections on the readings required by this
class, loved Bartleby, initially hated Modest but quite surprisingly I fell in
love with it. So much so that I took time to read it through again even after
the assignment was finished! Let me expound on these individually.
I was drawn to Bartleby for two reasons initially, first was
my love for Melville’s most popular work: “Moby Dick” and second by my interest
in the legal profession. I am studying law as well as English this year and am
even considering changing my major to Law entirely. I was delighted by the idiosyncrasies
of the individual characters within the story. I found myself frustrated by the
main characters constant response of “I prefer not to.” Much as the narrator
must have been. But my delight and even frustration were short-lived as emotions
which ultimately turned to sadness at the plight of this lost soul. I believe
this was a great choice as a reading for this class Ms. Cline.
Now as to “A Modest Proposal” I was surprised by this work
in the end. At the first reading I fought the work at every turn. I thought, “How
disgusting”. I could not have been more adverse to the reading. I never thought
in a million years that I would find the value in this piece. But by setting
aside my personal bias and just looking at the mechanics used by the author
I found my distaste give way to a greater understanding. Thank You.
My goal for the second half of the semester is to be less
dogmatic and have more of an open mind toward all literary works. I will find
the value within each. I will examine the rhetorical techniques and employ them
within my own writing and determine which suit my very own style. Heck, some
may even find my work initially “disgusting” but redeeming in some small way. I
can’t wait to see what you have in store for us Ms. Cline!
Sunday, September 30, 2012
Swift: Shock and Awe!
Response
to Swift Essay
The corner on Anglesea Street is littered with papers,
books and pamphlets as the gentlewoman clutches at the stacks on her way to the
cobblestones. Passers-by dive to catch her and prevent her from injury or at
the very least from soiling her fine clothing with Dublin’s filth. They are
un-aware of the cause of her fainting, yet it is still clutched within her
silk-gloved hand. A literary work so heinous
and disgusting that it has brought about similar responses everywhere it’s read.
This work, published under a pseudonym, proposes the sale of the emerald isle’s
impoverished children for the purpose of cannibalism. This was to address the
overpopulation of the poor Irish people and to benefit the general society as a
whole. Through his 1729 satirical essay “A Modest Proposal” Jonathan Swift
is quite effective in his attempt to prompt his contemporaries to re-assess
their opinions on many social conditions. Can we surmise that the mere shock of the
public at large was the intended purpose of this work?
The answer would be both yes and no. Initially any reader
of the text would be drawn in by being made aware of the current plight of
those less fortunate. Swift is clever in this tactic by delaying his shocking solution
by a few paragraphs of seemingly harmless prose. He addresses his audience from
the authority of his pseudonym of which he claims to be a doctor. Many similar
writings of that period began in the same tone and addressed the exact same
issues but none in the way in which Swift crafted. By this I believe we can assume the authors of
such text were among his intended audiences. He may very well have aimed at
shaming them as well as their solutions as inadequate or maybe condescending
toward the peoples they intended to aid, the Irish. His audience included the
English themselves as well as Irish society as he lived in both and was very
familiar with the predatory relationship which existed between the two
cultures. What social conditions existed in that period which pleaded for such
a harsh rebuke by Swift?
England was notoriously oppressing the Irish peoples in
many ways at this time. Swift addressed them
personally when he wrote, "For this kind of commodity will not bear
exportation, and flesh being of too tender a consistence, to admit a long
continuance in salt, although perhaps I could name a country, which would be
glad to eat up our whole nation without it." Also the economic conditions
within Ireland did perpetuate a cycle of poverty that he was personally witness
to. One only had to walk the same streets he did to be acutely made aware of their
plight. There existed the stereotype of the Irish poor as thieves which he
alludes to by twice mentioning the sentiment within the text. There existed a predatory
relationship between landlords of the time and their victims; the tenants. A
close reading and attention to subtleties within the pamphlet give light to the
religious disparities between Catholic Ireland and Protestant England just as
the news of today does: some things never change. Can we therefore surmise that
Swift was effective at addressing his audience(s) whatever their position
within these social contexts?
From the woman of wealth fainted on Anglesea Road, to the
Landlords who preyed upon their tenants, from the English policymakers who were
much to blame, from the clergy of both sides to the condescending authors of
segmented “solutions” who missed their
marks; Swift by choosing such a tone in his prose met his. He got the attention
of all humanity in that region, regardless of class, in a profound way which
caused quite a stir, thus more conversation on the problems but I think
ultimately towards solutions and remedies. Consider the fact that we are here
almost three hundred years later talking about his tactics, aims and success. Can we identify any of the common rhetorical
tools in the Essay by Mr. Swift?
Of course we can! Being well trained in these classical
appeals, the author employs many of the agents of Aristotle toward his aim. By
relying on the false credibility of a fictitious doctor right on the front
cover of the pamphlet the author has employed the common rhetorical tool of ethos.
He has taken on the “cloak” of credibility by deceiving his audience into think
that he is qualified to speak on such matters. The most obvious appeal in the
text is the emotional one, or in other words; pathos. We feel our emotions
range from sympathy for the impoverished, to horror at the proposed solution;
to anger at the arrogance of the narrator. All examples of the author’s
intended use of the common rhetorical tool pathos. Beyond rhetorical devices are there other
literary methods at work here?
Yes, satire, More precisely Juvenalian satire. Abrasive
and contemptuous in nature, this method juxtaposes the decency or sense of
right order against the alternative producing what I think is a more effective
shock to the reader, Swift does not wish for a passive audience. He desires
action as a result of his work. He proposes an absurd and outright morbid
solution to the problems to propel the reader to ask him/herself what might be
a viable one and then hopefully act in some productive way.
From Anglesea Road 1729 to Downing Street London, from
Broadway in the USA and even in this day and age: the use of satire to engage
one’s audience can be a very effective literary method. Jonathan Swift did
everything right, and in such a profound way that we are discussing and
learning from his writings today three hundred years later. He affected his
audience by causing their collective jaws to drop aghast………just ask the woman
down on Anglesea Road…….that is, when she regains consciousness.
photo: wikimedia commons
Response
to Swift Essay
The corner on Anglesea Street is littered with papers,
books and pamphlets as the gentlewoman clutches at the stacks on her way to the
cobblestones. Passers-by dive to catch her and prevent her from injury or at
the very least from soiling her fine clothing with Dublin’s filth. They are
un-aware of the cause of her fainting, yet it is still clutched within her
silk-gloved hand. A literary work so heinous
and disgusting that it has brought about similar responses everywhere it’s read.
This work, published under a pseudonym, proposes the sale of the emerald isle’s
impoverished children for the purpose of cannibalism. This was to address the
overpopulation of the poor Irish people and to benefit the general society as a
whole. Through his 1729 satirical essay “A Modest Proposal” Jonathan Swift
is quite effective in his attempt to prompt his contemporaries to re-assess
their opinions on many social conditions. Can we surmise that the mere shock of the
public at large was the intended purpose of this work?
The answer would be both yes and no. Initially any reader
of the text would be drawn in by being made aware of the current plight of
those less fortunate. Swift is clever in this tactic by delaying his shocking solution
by a few paragraphs of seemingly harmless prose. He addresses his audience from
the authority of his pseudonym of which he claims to be a doctor. Many similar
writings of that period began in the same tone and addressed the exact same
issues but none in the way in which Swift crafted. By this I believe we can assume the authors of
such text were among his intended audiences. He may very well have aimed at
shaming them as well as their solutions as inadequate or maybe condescending
toward the peoples they intended to aid, the Irish. His audience included the
English themselves as well as Irish society as he lived in both and was very
familiar with the predatory relationship which existed between the two
cultures. What social conditions existed in that period which pleaded for such
a harsh rebuke by Swift?
England was notoriously oppressing the Irish peoples in
many ways at this time. Swift addressed them
personally when he wrote, "For this kind of commodity will not bear
exportation, and flesh being of too tender a consistence, to admit a long
continuance in salt, although perhaps I could name a country, which would be
glad to eat up our whole nation without it." Also the economic conditions
within Ireland did perpetuate a cycle of poverty that he was personally witness
to. One only had to walk the same streets he did to be acutely made aware of their
plight. There existed the stereotype of the Irish poor as thieves which he
alludes to by twice mentioning the sentiment within the text. There existed a predatory
relationship between landlords of the time and their victims; the tenants. A
close reading and attention to subtleties within the pamphlet give light to the
religious disparities between Catholic Ireland and Protestant England just as
the news of today does: some things never change. Can we therefore surmise that
Swift was effective at addressing his audience(s) whatever their position
within these social contexts?
From the woman of wealth fainted on Anglesea Road, to the
Landlords who preyed upon their tenants, from the English policymakers who were
much to blame, from the clergy of both sides to the condescending authors of
segmented “solutions” who missed their
marks; Swift by choosing such a tone in his prose met his. He got the attention
of all humanity in that region, regardless of class, in a profound way which
caused quite a stir, thus more conversation on the problems but I think
ultimately towards solutions and remedies. Consider the fact that we are here
almost three hundred years later talking about his tactics, aims and success. Can we identify any of the common rhetorical
tools in the Essay by Mr. Swift?
Of course we can! Being well trained in these classical
appeals, the author employs many of the agents of Aristotle toward his aim. By
relying on the false credibility of a fictitious doctor right on the front
cover of the pamphlet the author has employed the common rhetorical tool of ethos.
He has taken on the “cloak” of credibility by deceiving his audience into think
that he is qualified to speak on such matters. The most obvious appeal in the
text is the emotional one, or in other words; pathos. We feel our emotions
range from sympathy for the impoverished, to horror at the proposed solution;
to anger at the arrogance of the narrator. All examples of the author’s
intended use of the common rhetorical tool pathos. Beyond rhetorical devices are there other
literary methods at work here?
Yes, satire, More precisely Juvenalian satire. Abrasive
and contemptuous in nature, this method juxtaposes the decency or sense of
right order against the alternative producing what I think is a more effective
shock to the reader, Swift does not wish for a passive audience. He desires
action as a result of his work. He proposes an absurd and outright morbid
solution to the problems to propel the reader to ask him/herself what might be
a viable one and then hopefully act in some productive way.
From Anglesea Road 1729 to Downing Street London, from
Broadway in the USA and even in this day and age: the use of satire to engage
one’s audience can be a very effective literary method. Jonathan Swift did
everything right, and in such a profound way that we are discussing and
learning from his writings today three hundred years later. He affected his
audience by causing their collective jaws to drop aghast………just ask the woman
down on Anglesea Road…….that is, when she regains consciousness.
Sunday, September 23, 2012
Rhetorical Anaylysis Of "The End Of America 2" Advertisement
Having viewed the advertisement for a film entitled “The End
of America 2” (http://www.youtube.com/watch?v=MvLDTwvPR3w)I feel as though the author was effective at using all of the
elements of rhetorical argument. First and I think the most obvious was in the
use of the rhetorical tool of ethos. We are hearing the well-known and distinctive
voice of Mr. Alex Jones an authority on issues directly relating to the content
of the film. I trust Alex Jones and rely on past experiences with products and
content he has recommended. Also along those same lines the ad mentions past
predictions of the filmmaker which came to pass. Definite ethos argument as the
track record of the filmmaker should provide comfort to the viewer that the
content he/she might be considering viewing comes from an authoritative and
credible source.
The
creator of the ad also employed the rhetorical tool of pathos by appealing
emotionally to the audience. We all generally care for the well-being of our
finances, our families and society as a whole. By the mention of threats to
these institutions we are compelled to listen further or ultimately click on
the link to the website for the film to apprise ourselves to information having
to do with the threats. This along with Mr. Jones’s serious tone exemplifies effective
use of Pathos in the Ad.
The use
of Logos in the ad might be best addressed by; again, the listing of the past
track record of the film-maker as well as the mention of a reputable Magazine
such as Baron’s recommending the film. The audience is propelled to follow a
path of reasoning. If the film-maker has made successful predictions in the
past it is therefore reasonable to assume that this current film might contain
similar predictions that might aid us the audience in preparing for events
which might affect our lives in a significant way.
By the
effective use of all three of the common rhetorical tools the author of this ad
has succeeded in his/her goal of compelling a further look at the content, has
effectively considered audience and through this analysis inadvertently taught
me about these fundamental constructs of rhetoric.
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